ZEITGEIST: MOVING FORWARD | OFFICIAL RELEASE | 2011

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RUBBER

Instructions for use:
Go to a dealer and buy some LSD
Go to the Theater and sit in a chair
Consume the dose of LSD
Watch the film

Rubber is the story of Robert, an inanimate tire that has been abandoned in the desert, and suddenly and inexplicably comes to life. As Robert roams the bleak landscape, he discovers that he possesses terrifying telepathic powers that give him the ability to destroy anything he wishes without having to move. At first content to prey on small desert creatures and various discarded objects, his attention soon turns to humans, especially a beautiful and mysterious woman who crosses his path. Leaving a swath of destruction across the desert landscape, Robert becomes a chaotic force to be reckoned with, and truly a movie villain for the ages. Directed by legendary electro musician Quentin Dupieux (Steak, Nonfilm), aka Mr. Oizo, Rubber is a smart, funny and wholly original tribute to the cinematic concept of no reason

Istruzioni per l'uso:

Andare da uno spacciatore e comprare LSD

Andare al cinema e sedersi in poltrona

Consumare la dose di LSD

Guardare il film

Rubber è la storia di Robert, un pneumatico inanimato che è stato abbandonato nel deserto, e improvvisamente e inspiegabilmente prende vita. Come Robert percorre il deserto, scopre di possedere terrificanti poteri telepatici che gli danno la capacità di distruggere tutto quello che desidera senza doversi spostare. Al primo e depredare piccole creature del deserto e vari oggetti di scarto, ben presto sposta la sua attenzione per gli esseri umani, in particolare una donna bellissima e misteriosa che incrocia il suo cammino. Lasciando una scia di distruzione in tutto il paesaggio del deserto, Robert diventa una forza caotica da non sottovalutare, e diventa veramente il cattivo piu’ cattivo dei film. Diretto dal leggendario musicista Quentin Dupieux (Steak, Nonfilm), alias Mr. Oizo, Rubber è un tributo intelligente, divertente e del tutto originale al concetto cinematografico di nessuna logica.

Navodila za uporabo:
Pojdite do najbližjega dealerja in kupite LSD
Greš v kino in si poiščeš stolico
Uporabiš odmerek LSD-ja
Ogledaš si film

Rubber je zgodba o Robertu neživi pnevmatiki, ki je bila opuščena v puščavi, in nenadoma in nerazložljivo zaživi. Kot se Robert potika po žalostni puščavski pokrajini odkrije, da ima grozljive telepatske moči, ki mu dajo možnost da uniči vse kar želi, ne da bi se premaknil. Sprva se spravi nad mala puščavska bitja in različne rabljene predmete, svojo pozornost kmalu obrne na ljudi, še posebej lepo in skrivnostno žensko, ki prečka njegovo pot. Pušča tako za seboj pot, Robert postane kaotični morilec. Režija filma je v rokah legendarnega glasbenika Quentin Dupieux (Steak, Nonfilm), aka Mr Oizo, Rubber je pameten, zabaven in povsem izviren filmski koncept ˝nobenega smisla˝

Quentin Dupieux

 

Quentin Dupieux

Season of the Witch REVIEW

Studio: Lionsgate

Release: January 7, 2011

Director: Dominic Sena

Writer: Bragi Schut Jr.

Cast: Nicolas Cage, Ron Perlman, Stephen Campbell Moore, Claire Foy, Robbie Sheehan, Stephen Graham, Ulrich Thomsen

Genre: fantasy-adventure-action

RATING: 5 / 10

Nicolas Cage made a lot of bad movies in his career as an actor The Wiker Man, Ghost Rider, Bangkok Dangerous, Zandalee and that's just to name a few (in his career has shot 66 films, most of which are just a colossal crap), The Season of the Witch is not worth the ticket price. The main plot is so poor, the film aspires to be a fantasy-adventure-action movie, but it is not, and I really do not know what this film is. Cannot be a historical epic because it’s too ˝small˝, it cannot be a fantasy because there is no fantasy in this film. So I wonder, but mostly cause I think Nicolas Cage is after all a good actor, why did you accept to act in this flick, need money?

Nicolas Cage

VOTO: 5/10

Di cavolate nella sua carriera di attore Nicolas Cage ne ha fatte tante The Wiker Man, Ghost Rider, Bangkok Dangerous, Zandalee e questo solo per nominarne qualcuno (nella sua carriera ha girato 66 film di cui la maggior parte sono cagate colossali), The Season of the Witch  non vale nemmeno il prezzo del biglietto. La storia non ce, il film aspira ad essere un fantasy-adventure-action movie, ma non lo e', non si sa cosa sia questo film. Non puo' essere un colossal perche' e' troppo ˝piccolo˝, non puo' essere un fantasy perche' tranne gli ultimi dieci minuti non ha nulla di fantasy. Quindi mi domando, ma sopratutto perche' credo che Nicolas Cage sia tutto sommato un buon attore, perche' ti riduci a fare certi film, ti servono soldi?

Nicolas Cage

Ocena: 5/10

Nicolas Cage je v svoji karieri kot igralec igral v veliko slabih filmov The Wiker Man, Ghost Rider, Bangkok Dangerous, Zandalee in to sem jih naštel le nekaj (v svoji karieri posnel 66 filmov, ki so večinoma le ogromno sranje), Season of the Witch ni vreden niti cene vstopnice. Glavne zgodba je tako slaba, film si prizadeva da bi film a fantasy-adventure-action, vendar ni, in jaz res ne vem, kaj naj bi ta celovečerec bil. Ne more biti zgodovinski ep, ker je preveč ˝majhen˝, da ne more biti fantasy ker ni ničesar magičnega v tem filmu. Zato se sprašujem, predvsem pa za to ker Nicolas Cage je navsezadnje dober igralec, zakaj je sprejel vlogo v tejm filmu, potrebuje tako krvavo denar?

And the Oscar go to...

BEST PICTURE
127 Hours
Black Swan
The Fighter
Inception
The Kids Are All Right
The King’s Speech
The Social Network
Toy Story 3
True Grit
Winter’s Bone









BEST ACTOR
Javier Bardem, Biutiful
Jeff Bridges, True Grit
Jesse Eisenberg, The Social Network
Colin Firth, The King’s Speech
James Franco, 127 Hours

BEST SUPPORTING ACTOR
Christian Bale, The Fighter
John Hawkes, Winter’s Bone
Jeremy Renner, The Town
Mark Ruffalo, The Kids Are All Right
Geoffrey Rush, The King’s Speech
 
BEST ACTRESS
Annette Bening, The Kids Are All Right
Nicole Kidman, Rabbit Hole
Jennifer Lawrence, Winter’s Bone
Natalie Portman, Black Swan
Michelle Williams, Blue Valentine
 
BEST SUPPORTING ACTRESS
Amy Adams, The Fighter
Helena Bonham Carter, The King’s Speech
Melissa Leo, The Fighter
Hailee Steinfeld, True Grit
Jacki Weaver, Animal Kingdom

BEST ANIMATED FILM
How to Train Your Dragon
The Illusionist
Toy Story 3

BEST ART DIRECTION
Alice in Wonderland, Robert Stromberg, Karen O’Hara
Happy Potter and the Deathly Hallows — Part 1, Stuart Craig, Stephenie McMillan
Inception, Guy Hendrix Dyas, Larry Dias, Doug Mowat
The King’s Speech, Eve Stewart, Judy Farr
True Grit, Jess Gonchor, Nancy Haigh

BEST CINEMATOGRAPHY
Black Swan, Matthew Libatique
Inception, Wally Pfister
The King’s Speech, Danny Cohen
The Social Network, Jeff Cronenweth
True Grit, Roger Deakins


BEST COSTUME DESIGN
Alice in Wonderland, Colleen Atwood
I Am Love, Antonella Cannarozzi
The King’s Speech, Jenny Beaven
The Tempest, Sandy Powell
True Grit, Mary Zophres

BEST DIRECTOR
Darren Aronofsky, Black Swan
Joel & Ethan Coen, True Grit
David Fincher, The Social Network
Tom Hooper, The King’s Speech
David O. Russell, The Fighter

BEST DOCUMENTARY
Exit Through the Gift Shop, Banksy and Jaimie D’Cruz
Gasland, Josh Fox and Trish Adlesic
Inside Job, Charles Ferguson and Audrey Marrs
Restrepo, Tim Hetherington and Sebastian Junger
Waste Land, Lucy Walker and Angus Aynley

BEST DOCUMENTARY SHORT
Killing in the Name (Nominees TBD)
Poster Girl (Nominees (TBD)
Strangers No More, Karen Goodman and Kirk Simon
Sun Come Up, Jennifer Redfearn and Tim Metzger
The Warriors of Qiugang, Ruby Yang and Thomas Lennon


BEST EDITING
127 Hours, Jon Harris
Black Swan, Andrew Weisblum
The Fighter, Pamela Martin
The King’s Speech, Tariq Anwar
The Social Network, Angus Wall and Kirk Baxter

BEST FOREIGN LANGUAGE FILM
Hors la Loi (Outside the Law) (Algeria)
Incendies (Canada)
In a Better World (Denmark)
Dogtooth (Greece)
Biutiful (Mexico)

BEST MAKEUP
Barney’s Version, Adrien Morot
The Way Back, Eduoard F. Henriques, Gregory Funk, Yolanda Toussieng
The Wolfman, Rick Baker and Dave Elsey


BEST SCORE
127 Hours, A.R. Rahman
How to Train Your Dragon, John Powell
Inception, Hans Zimmer
The King’s Speech, Alexandre Desplat
The Social Network, Trent Reznor and Atticus Ross

BEST SONG
“Coming Home,” Country Strong, Tom Douglas, Troy Verges and Hillary Lindsey
“I See the Light,” Tangled, Alan Menken, Glenn Slater
“If I Rise,” 127 Hours, A.R. Rahman, Dido, Rollo Armstrong
“We Belong Together,” Toy Story 3, Randy Newman

BEST ANIMATED SHORT
Day & Night, Teddy Newton
The Gruffalo, Jakob Schuh and Max Lang
Let’s Pollute, Geefwee Boedoe
The Lost Thing, Shaun Tan and Andrew Ruhemann
Madagascar, Carnet de Voyage (Madagascar, a Journey Diary), Bastien Dubois

BEST LIVE-ACTION SHORT
The Confession, Tanel Toom
The Crush, Michael Creagh
God of Love, Luke Matheny
Na Wewe, Ivan Goldschmidt
Wish 143, Ian Barnes and Samantha Waite

BEST SOUND EDITING
Inception, Richard King
Toy Story 3, Tom Myers and Michael Silvers
TRON: Legacy, Gwendolyn Yates Whittle and Addison Teague
True Grit, Skip Lievsay and Craig Berkey
Unstoppable, Mark P. Stoeckinger

BEST SOUND MIXING
Inception, Lora Hirschberg, Gary A. Rizzo, and Ed Novick
The King’s Speech, Paul Hamblin, Martin Jensen, and John Midgley
Salt, Jeffrey J. Haboush, Greg P. Russell, Scott Millan, and William Sarokin
The Social Network, Ren Klyce, David Parker, Michael Semanick, and Mark Weingarten
True Grit, Skip Lievsay, Craig Berkey, Greg Orloff, and Peter F. Kurland

BEST VISUAL EFFECTS
Alice in Wonderland, Ken Ralston, David Schaub, Carey Villegas and Sean Phillips
Harry Potter and the Deathly Hallows — Part 1, Tim Burke, John Richardson, Christian Manz and Nicolas Aithadi
Hereafter, Michael Owens, Bryan Grill, Stephan Trojanski and Joe Farrell
Inception, Paul Franklin, Chris Corbould, Andrew Lockley and Peter Bebb
Iron Man 2, Janek Sirrs, Ben Snow, Ged Wright and Daniel Sudick

BEST ORIGINAL SCREENPLAY
Another Year, written by Mike Leigh
The Fighter, Screenplay by Scott Silver and Paul Tamasy & Eric Johnson; 
Story by Keith Dorrington & Paul Tamasy & Eric Johnson
Inception, written by Christopher Nolan
The Kids Are All Right, written by Lisa Cholodenko & Stuart Blumberg
The King’s Speech, Screenplay by David Seidler

BEST ADAPTED SCREENPLAY
127 Hours, Screenplay by Danny Boyle & Simon Beaufoy
The Social Network, Screenplay by Aaron Sorkin
Toy Story 3, Screenplay by Michael Arndt; Story by John Lasseter, Andrew Stanton and Lee Unkrich
True Grit, written for the screen by Joel Coen & Ethan Coen
Winter’s Bone, adapted for the screen by Debra Granik & Anne Rosellini